IV. Renaissnace Art
- Embraced natural world & human emotion. Works characterized by
rational order, symmetry, proportionality; addition of linear perspective (3-D look)
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Leonardo da Vinci (1452–1519): lived Renaissance ideal of the universal person: painter, advisor to kings, engineer, physiologist, botanist, etc.;
- Mona Lisa
- The Last Supper
- Vitruvian Man
- Virgin of the Rocks
- Lady with an Ermine
- Conceptualized Flying Machine
- Conceptualized Armored Car
- Conceptualized Solar Power
- Conceptualized Plate Tectonic Theory
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Raphael (1483–1520): Known for his Kindness. “Masterpiece” large Vatican fresco:
- The School of Athens
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Michelangelo (1475–1564): First “Rock Star” artist. A “Tortured Soul” who Suffered for his Art. Intense Personality. Lived to 89 Years of Age. Infused Christian and Humanist Qualities in Works.
- Pieta (Madonna scene of Mother and Dead Child)
- 18-foot sculpture of David
- Sistine Chapel frescoes—10,000 sq. ft., 343 figures, 4 years to complete (the Creation of Adam)
- Last Judgment.
- Dome of St. Peter’s Basilica
V. Slavery in the Renaissance
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Western European Slave Market Existed Since 12th Century.
- Spanish Sold Captured Muslims During Wars
- Slavery Looked on as a Merciful Act as Otherwise they Would Have Been Put to Death.
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After Black Death Demand for Slaves Increased.
- Slaves Were Taken from Conqured People
- Varying Races
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Owners Had Complete Dominion Over Their Slaves
- Cost = to Wages for a Free Servant for Several Years, After that a Lifetime of “Free” Service.
- Cost Efficient in Long Run.
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Socially Accepted Practice.
- Generally Accepted as Family Members
- Generally the Children of Master/Slave Relationships were Adopted and Raised as Legitimate Heirs of their Fathers.
- Owners Self-Interest to Keep Slaves Happy.
- Unhappy Slaves = Sub Par Labor Output and Potential Threat.
- Slaves were Suspected Presence as they were Uprooted from Previous Life.